My practice-based PhD research culminated in my installation Disruptive Desires in the Crypt of St Mark’s Church Kennington, London in December 2012.

The series includes photographs of different yet related facilities, spaces, surroundings and an abattoir.

The series focuses on physical structures referred to as hunting towers, raised and utilised by hunters and hunting teams.

The installation Luffare Narratives was based on a made-up childhood game that my friend Tom and I used to play when we were growing up in Sweden.

Non-human photographs + non-human sound.

The series investigates the construct of the family or personal photo album and the series forms an early response to research into the subject.

The series Majorna was photographed on medium-format colour film on location in the city of Göteborg, Sweden.

The video (78 mins) was made in 2007, and depicts the actual burning of a wooden structure, from ignition through to full blaze, down to the last flickers of light.

Mors fabulae lactum is series of collages that explore the representation – and its construct – of family relationships.

Déjà Perdu took place in 2009, and was installed in a dimly lit, roughly square room with domestic features – carpet, a mantelpiece, built-in bookshelves and a bay window.

This sculptural installation (2001) focused on feelings of pressure, fear and failure in states of isolation, separation and estrangement; an existential disconnection.